New names, new jobs, new lives, new husbands...? Two total strangers entering a witness protection program must pretend to be happily married to hide their identities from the dangerous people who want them dead. Franklin is an even-tempered English professor who prides himself on his attention to detail in every area of his carefully structured life. Owen is a messy, street-smart dropout with anger issues, forced into a life of crime against his will. About the only thing Franklin and Owen have in common is that they're gay. Now, living together in a very small house as Mr. and Mr. Fulton, they find they have something else in common: they can't stand each other. But both men have complicated pasts, with some very bad people relentlessly hunting them down. With their lives on the line, Owen and Franklin are stuck with each other--for better or for worse.

A young woman going to her wedding is waiting for her fiancée, a hood in custody, who is allowed by the police to go to his wedding.

Disappointed with being a housewife and annoyed by her cheating husband, Maria decides to abandon her family, move to Warsaw and get a well-paid job.

What a life? Continuous problems ... Is it easy to solve them for a fragile and attractive girl alone! Of course you have to rely on someone. Yes, just to know who. However, of course, fans are available. And, if you get married, there is also a choice. Yes, I just don’t want to cheapen up: the chosen one should be smart, handsome, and rich. And although potential candidates for husbands, it would seem, come in abundance to their native Yalta in abundance in the summer, how nevertheless these men are imperfect!

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Jolted out of his self-pity by a friend who teaches him to ski, a wounded Vietnam vet comes to look on his double amputation not as a "handicap" but rather "just a little inconvenience."

Live from Glyndebourne 1994. The first production to be filmed Live in Glyndebourne´s new opera house May 1994. The Marriage of Figaro is a continuation of the plot of The Barber of Seville several years later, and recounts a single “day of madness” in the palace of the Count Almaviva near Seville, Spain. Rosina is now the Countess; Dr. Bartolo is seeking revenge against Figaro for thwarting his plans to marry Rosina himself; and Count Almaviva has degenerated from the romantic youth of Barber into a scheming, bullying, skirt-chasing baritone. This follows the Count trying to obtain favours from Susanna, Figaro’s bride to be, under the nose of the Countess.

Vrunda is married to Jalandhar who gets involved in a vicious battle with Lord Vishnu. As a war between gods and demons wages, Vishnu earns Vrunda's wrath after her husband is killed by Shiva.

Charming, light-hearted and fizzing with subversive wit, Neil Armfield's sparkling production of the marriage of Figaro captures Mozart's most popular Opera. In this classic performance, recorded live at the Sydney Opera House, Patrick Summers conducts a energetic fresh-voiced cast, headed up by baritone Teddy Tahu Rhodes and Taryn Fiebig who make a vivacious, appealing pairing as Figaro and Susanna, while Peter Coleman-Wright triumps as the lascivious Count Almaviva.

Live performance of Mozart's opera buffa "Le nozze di Figaro" from the Glyndebourne Festival Opera in 1973, featuring Knut Skram, Ileana Cotrubas, Benjamin Luxon, Kiri Te Kanawa, and Frederica von Stade.